Death dream music
Martinez: The thread running through the album is Selena’s willingness to experiment with different genres and largely succeeding at it. It’s all we were listening to back then: SWV, Mary J. Hernandez: There is nothing more “American” than R&B and rock ‘n’ roll! So it made perfect sense for Selena to segue into pop and R&B. So for a long time, I believed she was an English-to-Spanish crossover artist - not the other way around! Reyes-Velarde: My mom, who immigrated from Mexico in 1995, recalls Selena as very much an American artist who learned Spanish to capture a lucrative audience. “Selena: The Series” turns the focus to the men behind her - creating a self-serving, controlled narrative that fails to illuminate the late singer herself.
#Death dream music series#
And Netflix’s new series fails to give her a voice
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Television Review: Selena isn’t here to tell her story. To me that group includes Americanized, or acculturated first and second-generation children of immigrants - the people most identified as her core audience today. Twenty-five years later, “Dreaming of You” sounds like an entry point of traditional Latin or Mexican music genres for people who might otherwise never have given this music a chance. Hernandez: I know this album is referred to as the crossover, but listening to it again makes me ask: “crossover” for who? Selena still leaned on mariachi and cumbia sounds, so in a sense, this “crossover album” is really for the legions of English-speaking American listeners who were poised to become her next wave of biggest fans. And she finally got the leeway to make the kind of music she wanted to with “Dreaming of You.” Do you feel like her personality came through more when she sang in English? Despite being in a Tejano band, Selena modeled herself after R&B stars like Jody Watley, Paula Abdul and Janet Jackson. struggled with living in the liminal space between American and Mexican cultures.
#Death dream music movie#
Titled “Dreaming of You,” the album would become Selena’s last it was released on July 18, 1995, almost four months after she was shot dead by her fan club president, Yolanda Saldívar.Įxposito: In both the 1997 movie and the 2020 show, we see how much Selena - like many Latinos born and/or raised in the U.S.
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It was after their performance at the 1989 Tejano Music Awards that José Behar, founder of EMI Latin, approached her band with a record deal - which her father-turned-manager, Abraham Quintanilla Jr., accepted on the condition that they would produce an English-language album.
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Selena, played by Christian Serratos, is shown learning Spanish from cassette tapes to woo the Mexican music industry. This month, Netflix launched season one of “Selena: The Series,” a scripted drama based on the life of the young Mexican American singer.Įxecutive produced by members of the Quintanilla family, the show follows the career of Corpus Christi-born Selena and the family band, Los Dinos, as they search for a deeper sense of belonging between American and Mexican cultures. More than 25 years since her tragic death, the mythos of Tejana pop superstar Selena Quintanilla-Pérez remains as compelling as ever. “My mom would say, ‘On March 31, 1995, I was chatting with friends in my hometown when a radio announcer somberly broke the news of Selena’s murder’.” “Growing up, I’d hear the same story every March, as if it were a holiday,” says Times Metro reporter Alejandra Reyes-Velarde.